During his recent appearance on CRTV’s programme Laughter Work on October 29th, legendary Cameroonian musician André-Marie Tala made a heartfelt request for the government of Cameroon to award him a piece of land in recognition of his contribution to promoting the capital city through his iconic 1970s song, “Je vais à Yaoundé, Yaoundé la capitale.”
Talla believes his song, still celebrated today, has significantly raised Yaoundé’s profile. He expressed his desire for recognition, stating, “I believe I have the right to ask for the keys to the city of Yaoundé and for the mayor to grant me a plot of land so that I can feel happy about the great job I have done that nobody else has accomplished until now.”
A Timeless Tribute
Originally released on the 2nd of March 1975, Tala’s song, translated into English as “I am going to Yaoundé, Yaoundé the Capital,” serves as a tribute to the city, celebrating its vibrancy and cultural significance. His lyrics vividly capture the energy, pride, and excitement associated with visiting Yaoundé, resonating deeply with many Cameroonians and highlighting the city’s central role in shaping the nation’s identity during that era.
During the programme, Tala shared that his song has not only received acclaim in Cameroon but has also made its mark internationally. He revealed that an excerpt of his song was included in a terminal-level textbook in France and that former French President François Mitterrand acknowledged his contribution during a visit to Cameroon in 1983.
“An extract of the book is in a terminal textbook in France by edition Foucher and Cameroon School Programmes. The French president Mitterrand came to Cameroon in 1983 and on the 21st June he said, ‘The Cameroon Poet, André-Marie Tala, has the right to sing your beautiful capital,’” Tala recounted.
Elevating Cultural Heritage
Known for blending traditional Cameroonian rhythms like Makossa and Bikutsi, Tala’s music has significantly elevated Cameroon’s rich cultural heritage on the global stage. Born in Bandjoun, in the West Region of Cameroon, he has long served as an ambassador for Cameroonian musical and cultural expressions.
As many Cameroonians await the government’s response to Talla’s request, it’s evident that, despite the changes and deterioration in Yaoundé since the 1960s, his song remains a powerful reminder of the city’s historical importance. His contributions to Cameroonian culture through this timeless piece may indeed warrant the official recognition he seeks.
